The
grotto is on Driftwood Island. Seen from afar, the entrance to the grotto
appears to be blue, and has a shape similar to that of a jellyfish. After 90
steps up the island, the entrance is reached. The ceiling of the grotto is
about 25 m. Hundreds of stalactites falling down from the roof of the grotto
look like a waterfall.
The grotto is divided into three main parts.
The exterior is a room with a vault full of natural light. Many forms may be
seen in the rock formations of the chamber, depending on the imagination of the
visitor of course.
The third chamber of the grotto is widely opened. At the end of the grotto is a
well of clear water. Looking up in the dim light we recognize that surrounded
is the image of an ancient citadel and a scuffle of elephants, horses, man with
bristly sword and spear. All are making a rush and be petrified suddenly.
The
name Driftwood Grotto came from a popular story of the resistance war against
the Yuan - Mongolian aggressors. In a decisive battle, Trân Hung Ðao was given
the order to prepare many ironwood stakes here, to be planted on the riverbed
of Bach Ðang River. The remaining wooden pieces found in the grotto have given
it its present name.
And the name Giâu Gô is associated with the legend that General Trân Hung Ðao
(1226-1300) hid ironwood stakes in preparation for the Bach Ðang battle against
the Yuan-Mongolian invaders.
If the Thiên Cung Grotto is monumental and modern (in its natural form), then Driftwood Grotto is solemn, but also grandiose. In "Marvels of the World," published in France in 1938, the author called the grotto "Grotte des merveilles" (a site of many marvels)
If the Thiên Cung Grotto is monumental and modern (in its natural form), then Driftwood Grotto is solemn, but also grandiose. In "Marvels of the World," published in France in 1938, the author called the grotto "Grotte des merveilles" (a site of many marvels)
In the first chamber, in the very middle of the grotto, is a colossal pillar
supporting the large vault. On the top of the pillar, there appears to be a
monk draped in a long, dark cloak, with his right hand clasping a cane.
The second chamber is narrow. Here, the stalactites look smaller but more
graceful. One feels like going to a pagoda with a monk in meditation so that
one steps more gently.
The third chamber features high stone columns out of which nature has carved
images of a large kingdom, of heroes and soldiers holding swords and spears
rushing up, of war elephants and horses or lions, etc. All of them suddenly was
petrified and remained there for good.
In 1917, Emperor Khai Ðinh came to visit the grotto, and amazed by the beauty
of the place, ordered the erection of an engraved stone stele singing the
praises of Ha Long Bay and the grotto. Today, it remains to the right-hand side
of the entrance.